A Christmas story about a Christmas icon:
For its December 1963 issue, Esquire Magazine's managing editor Harold Hayes let his cover designer George Lois pick the cover. The cover became a close-up of boxer Sonny Liston in a Santa Claus hat. Esquire's advertising director would eventually estimate that the magazine lost $750,000 due to the cover. According to Vanity Fair, "Hayes lit the fuse, and Sonny Liston exploded a ragged hole in the country's Norman Rockwell preconceptions of Christmas." An art-history professor at Hunter College proclaimed the cover "one of the greatest social statements of the plastic arts since Picasso's Guernica." For Hayes, Liston-as-Santa was "the perfect magazine cover," he wrote in a 1981 article in Adweek magazine, "a single, textless image that measured our lives and the time we lived them in quite precisely to the moment." Published in a national climate "thick with racial fear," he explained, "Lois' angry icon insisted on several things: the split in our culture was showing; the notion of racial equality was a bad joke; the felicitations of this season—goodwill to all men, etc.—carried irony more than sentiment."
For its December 1963 issue, Esquire Magazine's managing editor Harold Hayes let his cover designer George Lois pick the cover. The cover became a close-up of boxer Sonny Liston in a Santa Claus hat. Esquire's advertising director would eventually estimate that the magazine lost $750,000 due to the cover. According to Vanity Fair, "Hayes lit the fuse, and Sonny Liston exploded a ragged hole in the country's Norman Rockwell preconceptions of Christmas." An art-history professor at Hunter College proclaimed the cover "one of the greatest social statements of the plastic arts since Picasso's Guernica." For Hayes, Liston-as-Santa was "the perfect magazine cover," he wrote in a 1981 article in Adweek magazine, "a single, textless image that measured our lives and the time we lived them in quite precisely to the moment." Published in a national climate "thick with racial fear," he explained, "Lois' angry icon insisted on several things: the split in our culture was showing; the notion of racial equality was a bad joke; the felicitations of this season—goodwill to all men, etc.—carried irony more than sentiment."
"Norman Rockwell preconceptions?" "one of the greatest social statements..?" ".. image that measured our lives..?"
Wait a minute here. Race trumps everything in this culture but.....Liston was a criminal and was mob connected. He knocked out the extremely popular Floyd Patterson in 1962, a fight that was opposed by the NAACP because of damage they thought the fight would do to the Civil Rights Movement. And Liston threw a championship fight against Ali. Liston told a sports writer later, “That guy [Ali] was crazy. I didn’t want anything to do with him. And the Muslims were coming up. Who needed that? So I went down. I wasn’t hit.”
Wait a minute here. Race trumps everything in this culture but.....Liston was a criminal and was mob connected. He knocked out the extremely popular Floyd Patterson in 1962, a fight that was opposed by the NAACP because of damage they thought the fight would do to the Civil Rights Movement. And Liston threw a championship fight against Ali. Liston told a sports writer later, “That guy [Ali] was crazy. I didn’t want anything to do with him. And the Muslims were coming up. Who needed that? So I went down. I wasn’t hit.”
Liston was terribly unpopular for a lot of good reasons.
Can this race monster ever get sedated? And is it possible these media types might be taking themselves a little too seriously?
No comments:
Post a Comment