Note on Local Flora
There is a tree native in Turkestan,
Or further east towards the Tree of Heaven,
Whose cold hard cones, not being wards to time,
Will leave their mother only for good cause;
Will ripen only in a forest fire;
Wait, to be fathered as was Bacchus once,
Through men's long lives, that image of time's end.
I knew the Phoenix was a vegetable.
So Semele desired her deity
As this in Kew thirsts for the Red Dawn.
Or further east towards the Tree of Heaven,
Whose cold hard cones, not being wards to time,
Will leave their mother only for good cause;
Will ripen only in a forest fire;
Wait, to be fathered as was Bacchus once,
Through men's long lives, that image of time's end.
I knew the Phoenix was a vegetable.
So Semele desired her deity
As this in Kew thirsts for the Red Dawn.
This is from Wood's new book on Empson:
"There is a tree" has the sound of a fable, a
sort of botanical "once upon a time," and the shift from Turkestan to
Heaven—some distance "further east"—confirms this effect. The tree is
"native" to those parts but there is one in Kew Gardens in London
(introduced in line 10, as "thirst[ing] for the Red Dawn"). And wherever
it grows, the tree has this curious characteristic: only fire will make
it flourish. "Leave their mother" is a marvelous ambiguity. When the
fire arrives the cones will drop to the ground, abandoning their parent,
and their fall will allow their mother to cover herself with leaves."
The second half of the poem draws on Greek myth for its dense
symbolic network. It all adds up, so Wood argues, to the poet's
attraction to revolution: "The thirsting tree represents a widely held
but equally widely repressed belief: that only violence will allow us
truly to live, to do something with time other than mark it."
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