Nast and Thanksgiving

A social media ban for children under 16 passed the Australian Parliament on Friday in a world-first law.

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...as The Post’s Rachel Weiner reported, this squabble reveals an essential truth about bike lanes as weapons of civic planning: They are often installed not to satisfy the barely measurable trickle of residents who pedal to work but mainly to make car traffic worse enough that people will be discouraged from driving.--Cowen

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A report is afoot that will be dedicated specifically to a form of geoengineering known as solar radiation management. This is a technique that essentially involves spraying fine aerosols into the atmosphere to reflect sunlight away from the Earth. The idea is that, once it’s reflected, there’ll be less heat and temperatures will go down.

They plan to block the sun.

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                            Nast and Thanksgiving

Thomas Nast was a Bavarian immigrant credited with developing the American cartoon. He arrived in the 1840s as a child and became the illustrator for Harper's Weekly. He developed the modern version of Santa Claus and the elephant as the Republican Party symbol. As such, this is a provocative drawing, from the Nineteenth Century.

Melanie Kirkpatrick’s 2016 book, Thanksgiving: The Holiday and the Heart of the American Experience (link added):

 

{Thomas] Nast was an immigrant, having arrived in America from Germany when he was six years old, and “Uncle Sam’s Thanksgiving Dinner” reflected what Nast saw as the immigrant’s passionate affection for his new country and commitment to its democratic values….
At the head of the table stands Uncle Sam, who is carving a turkey. Around the table are seated Americans representing an array of races and religions, identified in many cases by their national dress. Among the guests are an African American family, a Native American, a Chinese man with a long queue, an Irish American couple, a Spanish woman wearing a mantilla and holding a fan, a bearded Muslim with a fez on his head. Nast presents the people in this portrait respectfully, not as caricatures. His message is that every American has an equal right to sit at the Thanksgiving table.